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by Eddie Sayago
Despite what some might say, physical media is cool and essential. A CD or vinyl is a permanent timestamp on a piece of music that can have a lot of significance to the listener.
We are in an era where in theory we have access to everything, yet it also seems like nothing is here to stay. One day your favorite song or album could be pulled from the streaming services or even your own digital library if purchased from Apple or another vendor. And who knows when or if that remix of your favorite song to dance to from college will return.
For someone who has the space, energy, and money to have and build a physical music collection, it’s a privilege I don’t take for granted. One of my favorite activities to do on the weekend is to visit a record store and browse through the bins and boxes for something from a bygone era.
There are fewer joys than finding a beloved album in good to excellent condition, folk over the cash or card, bring it home and let yourself get lost in the music on your massive speakers or headphones.
Hopefully you can find that next great album at the upcoming CHIRP Record Fair & Other Delights, taking place for the final time on Saturday, November 9. Tickets can be purchased here.
by Kyle Sanders
Talking politics when meeting new people might be considered taboo, but there is one subject I won't hesitate to bring up at some point in conversation: Stevie Nicks.
I am a huge Stevie Nicks fan. I have been since 1998, a year when Nicks was still riding high off a very successful comeback tour with Fleetwood Mac (The Dance) while supporting the release of a retrospective boxed set celebrating her work as an enduring solo artist (Enchanted). I know every song, have read every interview, and—I still can’t believe I managed this—touched her hand.
What I’m trying to say is, I have an authority on all things Stevie, so when I tell you that her recent single, “The Lighthouse,” is the most political song she's ever recorded, I hope you’ll take my word for it.
Welcome to The Fourth Wall, CHIRP's e-conversation on cinema. This week's subject is the the state of the horrror film genre.
This edition is written by CHIRP Radio volunteers Kevin Fullam and Clarence Ewing.
Clarence:
It’s Halloween season once again! And of course, a perfect time to fire up the horror movies old and new.
I’m not what you would call a hardcore fan of the genre, but I do respect it when it’s done well. I also appreciate the detailed history of scary movies, from the classic monster flicks of the ‘30s to the atomic scares of the ‘50s to the the psychedelic arthouse cinema of the ‘60s to the Golden Era of the ‘70s and ‘80s (which gave us classics ranging from mainstream blockbusters to grindhouse B-movies) to the self-aware Scream / I Know What You Did Last Summer kicks of the ‘90s to the Saw franchise (and its imitators) of new millennium.
by Kyle Sanders
As the 60th Chicago International Film Festival settles to its conclusion, I find myself feeling a tad overwhelmed. I've just spent a week visiting family in my home state of Kentucky and returned with a nasty sinus infection.
Those circumstances certainly affected my festival-covering abilities, but that shouldn't suggest I wasn't able to watch some really great international films while away from the Windy City!